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‎Blur on Apple Music

Through some reinvention, Blur reclaimed their position as an art pop band in the late '90s by incorporating indie rock and lo-fi influences, which finally gave them their elusive American success in 1997. But the band's legacy remained in Britain, sellbitz where they helped revitalize guitar pop by skillfully updating the country's pop traditions. Despite disappointing sales, Nick Davies of Bizarre Creations had announced in July 2010 that the studio intended to create more games in the series, and wanted to make it the biggest racing franchise. Think Tank, released in May 2003, was filled with atmospheric, brooding electronic sounds, featuring simpler guitar lines played by Albarn, and largely relying on other instruments to replace Coxon.

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During races, each player accumulates points for their finishing position. While in team racing, powerups will not affect the player's own team members with the exception of Shock. If the second player beats the time, they can send the updated challenge back. Players can also use the Share button, and post their achievements to Twitter and Facebook.

In April 2015, blur released their first studio album in twelve years, The Magic Whip. Conceived over five days in Hong Kong after a cancelled Japan tour in 2013, the album was inspired by the city as well. The Magic Whip also marks the return of Coxon, absent on all but one track on Think Tank, and Stephen Street, Blur's producer during the Britpop era.

The song is largely electronic, and was part of the band's protest against war in the Middle East. Albarn, however, attempted to assuage fans' fears that the album would be electronic by providing reassurances that the band's new album would be "a rockin' record", and also said that it has "a lot of finely crafted pop songs". Early in 2002, Blur recorded a song that would be played by European Space Agency's Beagle 2 lander once it touched down; however, attempts to locate the probe after it landed on Mars were fruitless. Released in March 1999, Blur's sixth studio album 13 saw them drift still further away from their Britpop-era attitude and sound. Orbit's production style allowed for more jamming, and incorporated a "variety of emotions, atmospheres, words and sounds" into the mix.